近代能楽用語索引Index of Nō-related Terms in Modern Texts

HoshoBénazet, Alexandre（1901）Le théâtre au Japon: ses rapports avec les cultes locaux, Leroux, Paris [FR]

• 85Trois autres familles ont attaché leur nom à l’histoire dramatique de ce temps: Emmani (ou Komparou), Toyama (ou Hо̄shо̄), et Sakado (ou Kongо̄).
• 96Certaines familles ont fourni plusieurs générations succeseivcs de comédiens de kiyôghèn un peut citer les Ohkoura, les Chо̄myо̄, les Saghi, les ldzoumi, qui ne remontent cependant pas aussi haut dans l’histoire que les Kwanzé, les Komparou, les Hо̄shо̄ et les Kongо̄, dont les descendants jouent encore les nô.

Noguchi, Yonejirō（1914）The Spirit of Japanese Poetry, Murray, London [EN]

• 54When I say that it has no need to wait on its audience, I have in my mind the fact that it was that very audience which originated and perfected it as we see it to-day on the stage of Kanze, or Hosho, or Umewaka, or Yamashina, or Kudan, of Tokyo.

Ikenouchi, Nobuyoshi（1925）Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]

• 7In No schools of Kon-paru, Kongo and Kita, the roles of Senzai a.re played by Kyogen who appear, with the mask box while in the schools of Kwanze and Hosho, the parts of Senzai, aro played by Shite-zure, in which case, there is a separate mask-box carrier.
• 21There are 5 schools if shite actors as represented by names of Kwanze, Konparu, Hoshо̄, Kongо̄ and Kita.
• 21-22There are five schools or head-houses for the performance of waki known as Shundō, Shindō, Takayasu, Fuku-ō, Hōshio, but now in Tokyo, there are two schools of Fukuō and Hōshō in existence (while as the headhouse, Hōshō is only one remaining).
• 22The oldest of the Noh schools is called Konparu out of which arose two schools of Kongo and Kita which are known under the general name of Shimogakari, while the school of Hosho was originated from the Kwanze school, both of which are included under the name of Kamigakari.
• 31This mask together with other masks made by Tankaiko, Kōkōtaishi, and Kasuga are called the divine handicraft, and the Hōshō family preserves the mask of Okina which is said to be the work of Tankaiko.

Maybon, Albert（1925）Le théatre japonais, Henri Laurens, Paris [FR]

• 24Ainsi l’école Kanzei est maniérée, précieuse, féminine, tandis que l’école Hôshô est rude, sombre, farouche.

Lombard, Frank Alanson（1928）An Outline History of the Japanese Drama, Allen and Unwin, London [EN]

• 87The Emani, Yusaki, Toyama, and Sakado families, now known as Konperu, Kwanze, Hosho, and Kongo, together with Kita-an outgrowth of Kongo-form in reality two schools, the Shimogakari and the Kamigakari, according to their method of acting.

Lane Suzuki, Beatrice（1932）Nōgaku: Japanese Nō Plays, Murray, London [EN]

• 16In Nara at the Kasuga shrine four groups arose forming the present schools of Komparu, Kwanze, Hosho, and Kongo.
• 22Each school of Nо̄ (Kwanze, Kongo, Komparu, Hо̄shо̄, and Kita) has its own texts which contain some differences in reading.

Sadler, A.L. （1934）Japanese Plays Nō – Kyōgen – Kabuki, Angus & Robertson, Sydney [EN]

• x-xiThe performance of these dramas was entirely restricted to the Five Families of Komparu, Kwanzei, Hosho, Kongo and Kita, of which Komparu claims the greater antiquity.
• xvIt was held eight times during this era, six times for the Kwanzei house and twice for the Hosho.

n.a.（1936）What is the Noh play? How to appreciate “Hagoromo”, Brazil Economic Mission, n.a. [EN]

• 9There are to-day six Noh schools Kanze, Hosho, Kongo, Komparu, Kita and Umewaka.

Kokusai Bunka Shinkōkai（1937）The Noh Drama, Kokusai Bunka Shinkōkai, Tokyo [EN]

• 8The Noh art is being perpetuated today,as it has been since feudal times, by five official “schools” known as Kanze, Hosho, Komparu, Kongo and Kita, and though they are all divided on some of the technical details, in their traditional reverence for Zen canons of taste they are united.