近代能楽用語索引Index of Nō-related Terms in Modern Texts

KitaChamberlain, Basil Hall（1880）The Classical Poetry of the Japanese, Trübner, London [EN]

• viKita Eiu Yeukiyoku Bon (“Book of Lyric Dramas According to the Kita Style “)

Ikenouchi, Nobuyoshi（1925）Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]

• 7In No schools of Kon-paru, Kongo and Kita, the roles of Senzai are played by Kyogen who appear, with the mask box while in the schools of Kwanze and Hosho, the parts of Senzai, aro played by Shite-zure, in which case, there is a separate mask-box carrier.
• 21There are 5 schools if shite actors as represented by names of Kwanze, Konparu, Hoshо̄, Kongо̄ and Kita.
• 22The oldest of the Noh schools is called Konparu out of which arose two schools of Kongo and Kita which are known under the general name of Shimogakari, while the school of Hosho was originated from the Kwanze school, both of which are included under the name of Kamigakari.

Maybon, Albert（1925）Le théatre japonais, Henri Laurens, Paris [FR]

• 24Trois autres groupes ont pour nom Kongo, Kita et Komparu.

Lombard, Frank Alanson（1928）An Outline History of the Japanese Drama, Allen and Unwin, London [EN]

• 87The Emani, Yusaki, Toyama, and Sakado families, now known as Konperu, Kwanze, Hosho, and Kongo, together with Kita-an outgrowth of Kongo-form in reality two schools, the Shimogakari and the Kamigakari, according to their method of acting.

Lane Suzuki, Beatrice（1932）Nōgaku: Japanese Nō Plays, Murray, London [EN]

• 17He was a favourite of Hideyoshi, who advanced him, with the result that the Kita school was added to the other four.
• 22Each school of Nо̄ (Kwanze, Kongo, Komparu, Hо̄shо̄, and Kita) has its own texts which contain some differences in reading.

Sadler, A.L.（1934）Japanese Plays Nō – Kyōgen – Kabuki, Angus & Robertson, EN []

• x-xiThe performance of these dramas was entirely restricted to the Five Families of Komparu, Kwanzei, Hosho, Kongo and Kita, of which Komparu claims the greater antiquity.

n.a.（1936）What is the Noh play? How to appreciate “Hagoromo”, Brazil Economic Mission, n.a. [EN]

• 9There are to-day six Noh schools Kanze, Hosho, Kongo, Komparu, Kita and Umewaka.

Kokusai Bunka Shinkōkai（1937）The Noh Drama, Kokusai Bunka Shinkōkai, Tokyo [EN]

• 8The Noh art is being perpetuated today,as it has been since feudal times, by five official “schools” known as Kanze, Hosho, Komparu, Kongo and Kita, and though they are all divided on some of the technical details, in their traditional reverence for Zen canons of taste they are united.

Marega, Mario（1940）“Il Vegliardo (Okina)”, Monumenta Nipponica 3.2, n.a. [IT]

• 259Ballata No-gaku della scuola Kita-ryu

Fulchignoni, Enrico（1942）Sette Nō, Edizioni Teatro dell’Università di Roma, Roma [IT]

• 2Con queste va ricordata la compagnia Kita, del principio del periodo Edo (XVII secolo).