近代能楽用語索引Index of Nō-related Terms in Modern Texts

日本国外文献における人物名

能の五流における現行曲を対象としました。各曲名は、本文中に見られる表記を「検索用語」として索引し、さらに現在のヘボン式ローマ字表記に基づく「参照用語」を付記しました。参照用語は日本語の曲名(観世流の表記に基づいたローマ字表記を併記)を指し、異なる表記は括弧内に記載しています(例:検索用語:Death Stone、参照用語:Sesshōseki)

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Hata no Kawakatsu

Hada-no-KahakatsuChamberlain, Basil Hall(1880)The Classical Poetry of the Japanese, Trübner, London [EN]
  • 213We hear of them again in the seventh century, when a man of the name of Hada-no-Kahakatsu composed several dances at the order of the Prince Regent, son of the Empress Suwiko.
Ikenouchi, Nobuyoshi(1925)Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]
  • 1-2The records handed down in the families of the Nō dance masters state that twelve hundred years ago, prince Shōtoku ordered one Hada-no-Kawakatsu to compose the Okina dance to the music which was handed down in the latter’s family under the name of Tau-tau-tarari (flute notes) and also to compose the monomane dance numbering sixty-sixpieces.
KawakatsuMitford, Algernon Bertrand(1871)Tales of Old Japan, Macmillan, London [EN]
  • 84In the reign of the Emperor Yômei (A.D. 586-593), Hada Kawakatsu, a man born in Japan, but of Chinese extraction, was commanded by the Emperor to arrange an entertainment for the propitiation of the gods and the prosperity of the country.
  • 84Kawakatsu wrote thirty-three plays, introducing fragments of Japanese poetry with accompaniments of musical instruments.
Ikenouchi, Nobuyoshi(1925)Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]
  • 2About the person of Kawakatsu, a remarkable story is told.
  • 31When Prince Shо̄toku ordered Hada-no-Kawakatsu to compose the Nо̄ play, he himself made a Nо̄ Mask and gave it to Kawakatsu.
  • 2Kawakatsu distinguished himself from the rest of the world with his talent and wisdom.
  • 2The records handed down in the families of the No dance masters state that twelve hundred years ago, prince Shotoku ordered one Hada-no-Kawakatsu to composo the Okinato which the music was handed down in the latter’s family under the name of tau-tau-tarai (flute notes) and also to compose the monomane dance numbering sixty-six pieces.
  • 2Tradition has it that this Kawakatsu is the ancestor of the family of the Nō dance masters known as the Konparu-ke.
  • 2Kawakatsu distinguished himself from the rest of the world by his talent and wisdom.
  • 2About the person of Kawakatsu, a remarkable story is told. When the river Hatsuse in the Yamato Province was flooded, an earthenware pot floating down the stream was found along the cedar tree of Miwa by the natives who, driven by curiosity, opened the lid when to their amazement they discovered a gentle baby boy, precious as a jewel.
  • 5Thus Dr. Yoshida did not deny the theory of the Nōplay emanating from the person of Hada-no-Kawakatsu.
  • 23The founder of the Konparu school was Hada-no-Kawakatsu who lived twelve hundredyears ago and Kwan-ami, the founder of the Kwanze school lived six hundred years ago.
  • 31When Prince Shōtoku ordered Hada-no-Kawakatsu to compose the Nō play, he himself made a Nō Mask and gave it to Kawakatsu.
Lane Suzuki, Beatrice(1932)Nōgaku: Japanese Nō Plays, Murray, London [EN]
  • 15It is also related that Prince Shotoku ordered one Kawakatsu to make songs and dances to be performed at the Imperial Court.