Kan’ami
Kan ami（1900）Histoire de l’art du Japon, Maurice de Brunoff, n.a. [FR]
- 167Kan Ami dai-Iehyau, vassal do l’ontourage do Yoshi-maça, lit surtout des makiyé.
- 8Kannami and Seami, as well as the other actors and producers of their day, had to work principally for an audience whose esthetic standards were those of Zen.
- 15Foremost among the text,writers, as already noted above, was Seami and his father, Kannami.
- 16When in the 14th century the Shogun Ashikaga Yoshimitsu elevatedKannami and Seami to a high social position and patronized their art, he established a precedent which was observed in a m.uch more systematized and effective manner during the entire history of Tokugawa rule.
- 1Verso la seconda metà del Medioevo, esso poi ebbe la forma più perfetta, grazie al genio di due autori, attori e registi : Kannami e il figlio suo Zeami.
- 437Au temps où le Shogunat était exercé par Ashikaga Yoshimitru, vivait un certain personnage nommé Saburo Kiyotsagu.
- 199In the early part of the Muromachi period a manager of one of the No theatres at Nara, named Kwan-ami Kiyotsugu, attracted the notice of the ruling Shogun, who, for the sake of his art, took him into his immediate service.
- 199Kiyotsugu was succeeded by his eldest son Motokiyo, who died in 1455, in his eighty-first year.
- 200his father, Kwan-ami Kiyotsugu, being credited with fifteen.
- 200The Yō-kyoku Tsūge editor suggests, with great probability, that although the names of Kiyotsugu, Motokiyo, and their successors are given as authors of the No, they were in reality only responsible for the music, the pantomimic dance (the “business,” as we might say), and the general management.
- 41Kiyotsugu (who died in 1406) and his son Motokiyo (who died in 1455) are generally credited with this development.
- 238the religious plays, or Nō, acquired in the hands of Kiyotsugu
- 1185Così, nel 1406, divennero celebri Kiyotsugu e suo figlio Motokujo della rinomata famiglia Yusachi. La fortuna di questi nobili innovatori a corte fu dovuta in buona parte ai panegirici dello Shogun, cantati dal coro, e alle allegorie sapientemente scelte.
- 136He was grandson to Kwanami Kiyotsugu, the founder of the Kwanze school.
- 1-6They are to a large extent compounded from much older elements which existed in a more incoherent form prior to the fourteenth century ; but they may be described as crystallising and taking their distinctive form under the hands of Kiyotsugu, who lived from 1355 to 1406.
- 7-8Kiyotsugu was the founder of the No proper, and one of his piecesis given on p. 39.
- 9It is quite probable that the actual words of the utai (librettos) of the No were partly, if not entirely, written by Buddhist monks, and Kiyotsugu was only responsible for bringing the whole together and stage managing and stereotyping the plays.
- 9Following Kiyotsugu, who died in 1406, was his son Motokiyo (one of whose plays will be found on p. 56), who lived from 1373-1455.
- 9Kiyotsugu the founder was taken by the Shogun into his immediate service and was even given the rank of a small daimio.
- 35This piece is now commonly attributed to Kiyotsugu, and is supposed to have been produced at the end of the fourteenth century.
- 35Its exact date is not known, but Kiyotsugu was born in 1354 and died in 1406;
- 53He was the eldest son of the famous Kiyotsugu (see p. 7).
- 76The play is attributed to Motomasa, who was a grandchild of the famous Kiyotsugu (see p. 7) and who died in 1459.
- 8Kuan Ami Kiyotsugu, que así se llamaba este iniciador, escribiò unos quince dramas y legò a su hijo, conjuntamente con su posición, sus talentos artisticos.
- XXIKwanami Kiyotsugu (1333-1384 A.D.) and his son Seami Motokiyo (1363-1444 A.D.)
- 87Kwanami Kiyotsugu and his son, Seami, were members of the Kwanze family, and by them Sarugaku was brought to its perfection.
- xvUn centinaio di questi no vengono, piu o meno a ragione, attribuiti al grande attore ed impresario Motokio, vissuto nel ‘400 o capostipite – con suo padre Kiyotsugu – degli Yuzaci, nobile, numerosa e celebre famiglia di artisti.
- 16Sarugaku was brought to perfection by Kiyotsugu and Seami, and became the No as it is known to-day.
- 17Yūsaki Jibu Hata no Kiyotsugu, also called Kwanami Sō-on (1355- 1406);
- xiThe first Kwanzei also descends from a Shonagon or Court Councillor Tomonobu, himself fifth in line from the Emperor Kwammu, and Tomonobu is the ancestor of Kwan-ami Kiyotsugu.
- 8Kuan Ami Kiyotsugu, que así se llamaba este iniciador, escribiò unos quince dramas y legò, a su hijo, conjuntamente con su posición, sus talentos artisticos.
- 8Hay quienes creen que Kuan Ami ). la larga lista de sucesores en la dirección del teatro oficial fueron simples adaptadores de los libretos compuestos por los monjes Budhistas, limitandose su obra a disponer la musica, las danzas y el escenario y a la direccion de los artistas.
- 9Los Shogunes, desde los tiempos ele Kuan Ami, prodigaron sus cuidados al género Nō, así como con la Corte Imperial de Kioto se cultivaba la poesla breve, sugestiva, llamada tanka, que hasta hoy forma las delicias de Sus Majestades.
- 55El autor de esta pieza parece haber sido Motomasa, nieto de Kuan Ami.
- 199In the early part of the Muromachi period a manager of one of the No theatres at Nara, named Kwan-ami Kiyotsugu, attracted the notice of the ruling Shogun, who, for the sake of his art, took him into his immediate service.
- 199It is a noteworthy circumstance, as indicating the social position of the No performers, that this Kwan-ami was a small daimio, holding a fief in the province of Yamato.
- 200his father, Kwan-ami Kiyotsugu, being credited with fifteen.
- XXIKwanami Kiyotsugu (1333-1384 A.D.) and his son Seami Motokiyo (1363-1444 A.D.)
- XXIKwanami was a priest of the Kasuga Temple near Nara.
- XXIIt is probable that when he first saw Kwanami he also became acquainted with the son Seami, then a boy of twelve.
- XXIIOf Seami we know far more than of his father Kwanami.
- 87Kwanami Kiyotsugu and his son, Seami, were members of the Kwanze family, and by them Sarugaku was brought to its perfection.
- 161Dengaku, even under Shinto patronage, as played by Kwanami, was full of rude pranks;
- 130Dōjōji, by Kwanami
- xiThe first Kwanzei also descends from a Shonagon or Court Councillor Tomonobu, himself fifth in line from the Emperor Kwammu, and Tomonobu is the ancestor of Kwan-ami Kiyotsugu.
- xThe first No were compiled from these sources in the days of the Ashikaga Shogun Yoshimitsu (1367-1408) by the actor-composers Kwan-ami Kivotsugu, his son Se-ami Motokiyo. his son-in-law Komparu Ujinobu, and others.
- xiThe first Kwanzei also descends from a Shonagon or Court Councillor Tomonobu, himself fifth in line from the Emperor Kwammu, and Tomonobu is the ancestor of Kwan-ami Kiyotsugu.
- 83Il changea alors son nom en celui de Kwanami et mourut en 1406.
- 83Un fait digne de remarque, dit M. Aston, c’est quej’ceKwanami était un petit daïmyô, possesseur d’un fief dansla province de Yamato (1).
- 84Suivant une autre théorie, le nom de Kwansé aurait été formé par la réunion des deux premières syllabes des noms de Kwanami et de Seiami, pére et frère de Motoshighé.
- 39With this change is associated askilled performer (Yusaki) upon whom Yoshimitsuconferred the name Kwanami.
- 136Funa-Benkei was produced by Kwanze Kojiro, who died in 1516. He wasgrandson to Kwanami Kiyotsugu, the founder of the Kwanze school.
- xxiKwanami Kiyotsugu (1333-1384 A.D.) and his son Seami Motokiyo (1363-1444 A.D.)*
- xxiKwanami was a priest of the Kasuga Temple near Nara.
- xxiIt is probable that when he first saw Kwanami he also becameacquainted with the son Seami, then a boy of twelve.
- xxiiOf Seami we know far more than of his father Kwanami.
- 161Dengaku, even under Shinto patronage, as playedby Kwanami, was full of rude pranks
- xivThe first Nohwere compiled from these sources in the days of the AshikagaShogun Yoshimitsu (1367-1408) by the actor-composers Kwanami Kiyotsugu, his son Se-ami Motokiyo, his son-in-law KomparuUjinobu, and others.
- 80C’est le fameux Kwanami Kiyotsougou, favori du shogoun Yoshimits, qui fit descendre le nô du ciel sur la terre.
- 84Le premier représentant de la famille d’artistes connue sous le nom patronymique de Kwansé, Kwanami Kiyotsougou, vécut à la cour du shogoun Yoshimits, et composa des shoura-nô (nô guerriers) et des jo-nô (nô féminins).
- 87Kwanami Kiyotsugu and his son, Seami, were membersof the Kwanze family, and by them Sarugaku was broughtto its perfection.
- 47Il bonzo e attore Quanami prima e suo figlio Seami poi, ai quali si deve l’invenzione del « nô », furono entrambi assai protetti dallo « sciogun » Ioscimitsu Ascicaga, che può considerarsi come il primo patrono del « nô » e dovette perciò sopportare le gelosie e le critiche della sua corte, avversa a principio a quei due attori e alle loro rappresentazioni.
- 30With this change is associated a skilled performer (Yusaki) upon whom Yoshimitsu conferred the name Kwanami.
- 437Mais celui qu’on peut véritablement appeler le père du théâtre Nö, est Yusaki Kiyotougu, fondateur de la dynastie principale des auteurs sacrés et ancêtre direct du célèbre Kwanzé Kiyokado.