近代能楽用語索引Index of Nō-related Terms in Modern Texts

日本国外文献における人物名

能の五流における現行曲を対象としました。各曲名は、本文中に見られる表記を「検索用語」として索引し、さらに現在のヘボン式ローマ字表記に基づく「参照用語」を付記しました。参照用語は日本語の曲名(観世流の表記に基づいたローマ字表記を併記)を指し、異なる表記は括弧内に記載しています(例:検索用語:Death Stone、参照用語:Sesshōseki)

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On’ami

Oto-amiPiggott, Francis Taylor(1893)The Music and Musical Instruments of Japan, Batsford, London [EN]
  • 18The son of Se-ami, Oto-ami, founded the now-existing house of Kanzi, which is in fact the true and original family of No dancers.
OtoamiChamberlain, Basil Hall(1880)The Classical Poetry of the Japanese, Trübner, London [EN]
  • 23The stage, which has remained unaltered in every respect since the beginning of the fifteenth century, when the early dramatists Seami and Otoami acted at Kiyauto before the then Shiyaugufi,* Yoshimasa, is a square wooden room open on all sides but one, and supported on pillars, the side of the square being about eighteen English feet.
Chamberlain, Basil Hall(1910)Japanese Poetry, Murray, London [EN]
  • 6The stage, which has remained unaltered in every respect since the beginning of the fifteenth century, when the early dramatists Seami and Otoami acted at Kyoto before the then Shogun, Yoshimasa, is a square wooden room open on all sides but one, and supported on pillars, the side of the square being about eighteen English feet.
Noguchi, Yonejirō(1914)The Spirit of Japanese Poetry, Murray, London [EN]
  • 63Even when some of their names, Seami and Otoami for instance, are given, it is said by an authority that they are, in fact, only responsible for the music, the dance, and the general stage management.