近代能楽用語索引Index of Nō-related Terms in Modern Texts

日本国外文献における人物名

能の五流における現行曲を対象としました。各曲名は、本文中に見られる表記を「検索用語」として索引し、さらに現在のヘボン式ローマ字表記に基づく「参照用語」を付記しました。参照用語は日本語の曲名(観世流の表記に基づいたローマ字表記を併記)を指し、異なる表記は括弧内に記載しています(例:検索用語:Death Stone、参照用語:Sesshōseki)

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Shōtoku Taishi

ShotokuIkenouchi, Nobuyoshi(1925)Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]
  • 2The records handed down in the families of the No dance masters state that twelve hundred years ago, prince Shotoku ordered one Hada-no-Kawakatsu to compose the Okinato which the music was handed down in the latter’s family under the name of tau-tau-tarai (flute notes) and also to compose the monomane dance numbering sixty-six pieces.
Lane Suzuki, Beatrice(1932)Nōgaku: Japanese Nō Plays, Murray, London [EN]
  • 15It is also related that Prince Shotoku ordered one Kawakatsu to make songs and dances to be performed at the Imperial Court.
Sadler, A.L. (1934)Japanese Plays Nō – Kyōgen – Kabuki, Angus & Robertson, Sydney [EN]
  • xiThese houses were originally engaged in the production of the Sarugaku given at the two Great Shrines of Kasuga at Nara, and Hiyoshi on Mount Hiei near Kyoto, and the tradition in the house of Komparu is that they were descended from an official appointed by Prince Shotoku (d. 621), to play the Dengaku which he wrote.