Dōjōji
Dâjôji(1900)Histoire de l’art du Japon, Maurice de Brunoff, n.a. [FR]
- 223Ce masque est usité dans les pièces telles que Dâjôji et Kourouzouka.
- 24 -25Hachinoki, Hashibenkei, Hо̄kazо̄, Dо̄jо̄ji, Tо̄ru, Okina, Kayoigomachi, Kantan, Kagekiyo, Yoroboshi, Tsuchigumo, Nakamitsu, Utо̄, Kurozuka, Kuzu, Kumasaka, Yamauba, Yо̄rо̄, Matsukaze, Funa-Benkei, Fujito, Kokaji, Aoino-ue, Ataka, Ama, Midare, Shichiki-ochi, Shakkyо̄, Shunkwan, Shо̄zon, Mochizuki, Sesshо̄seki, Semimaru, Sumidagawa – 35 in all.
- 20The fourth class generdly deals with the subject of a mind distraught, of a mother seeking for her lost child, as in” Kashiwazaki,” “Sumidagawa,” “Miidera,” “Sakuragawa,” “Hyakuman,” or of one crazed by love, as in “Dojoji.”
- 113[DOJOJI]
- 58[DOJOJI]
- 27L’idée de la femme démon est encore illustrée par la légende de Dōjōji.
- 36In the plays which chiefly express strong revengeful emotions there are some of which the subject is a woman entertaining a hostile feeling towards man for his infidelity, as in Dōjōji (The Dōjōji Temple) and Kinuta (Beating the Fulling-block).
- 58Dōzyō-zi (The Dōzyō-zi Temple)