Kenjō (Genjō)
Kenjo（1925）Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]
- 24Iwafune, Hagoromo, Tomoe, Chōryō, Nue, Orochi, Kamo, Kaki-tsubata, Kashiwazaki, Kanawa, Yorimasa, Youchisoga, Tadanori, Takasago, Tamura, Sotobakomachi, Tsurukame, Raiden, Ukai, Uta-ura, Nomori, Nonomiya, Kuramatengu, Kurumazo, Kwagetsu, Yashima, Kenjō, Fujitaiko, Kosode-soga, Tenko, Aioi, Ayanotsuzumi, Aridōshi, Saigyōzakura, Sagi, Sakuragawa, Kinuta, Kiyotsune, Yuya, Miwa, Miidera, Shōjō, Jinenkoji, Shō-kun, Hyakuman, Momiji-gari, Morihisa, Zegai, Sumagenji, Eboshi-ori, Ebira, Ema—52 in all.
- 37In this group are also included those in which appear gods who, although without godly virtues, have a mysterious power, as in Kuzu (The Sweet-fish of Kuzu, Yosino), Kasuga-ryūjin (The Dragon-God at Kasuga), Kensyō (The Finest Lute called Kenzyō), Ama (The Fisherwoman), Tani-kō (The Sanction of Throwing into a Valley) and Syari (The Sarira, or the Sacred Bones of Buddha).
- 61Kenzyō (Kenzyō, the Finest Lute)