Komachi play

能楽界で活動した人物のリストで、本文中で頻繁に言及されている人物に焦点を当てています。「検索用語」は本文中に見られる表記を指し、「参照用語」は現在のローマ字表記を指します。同じ名前に複数の読みがある場合、参照用語は現在の読みを表します（例：検索用語：Démé-Jioman、参照用語：Deme Takamitsu）。

KomachiWaley, Arthur（1921）The Nō Plays of Japan, Tuttle (Allen & Unwin 1976), Tokyo; Rutland, Vermont; Singapore [EN]

xviiI have not thought it necessary to point out (as a Japanese critic suggested that I ought to have done) that, for example, the “mood” of Komachi is different from the “mood” of Kumasaka.

Lane Suzuki, Beatrice（1932）Nōgaku: Japanese Nō Plays, Murray, London [EN]

20Among the most petformed No of this class are: “Yuya,” “Hagoromo,” “Komachi,” “Izutsu,” “Nishikigi,” “Ninin-Shizuka.”
32Besides, there are special masks for use in one play only, such as in ” Semimaru,” ” Atsumori,” “Kagekiyo” “Yamauba,” “Komachi,” etc.

Nogami, Toyoichirō（1934）Japanese Noh Plays: How to See them, Board of Tourist Industry, Tokyo [EN]

29-30Those limited to one play only: Yorimasa, Atsumori, Kagekiyo, Shunkwan, Semimaru, Yama-uba, Shinja, Yoroboshi, Hatachiamari, Komachi, Shishiguchi, Ikkakusenin, Kanawa-on-na, Namamari, Kogasshiki, Kumasaka, Shaka, Rei, Chikusa, Nishiki-ji-otoko, Kosarutobide, Yakan, Sarubeshimi, Omoni-akujo, Sagi, Shōjō.

近代能楽用語索引Index of Nō-related Terms in Modern Texts

日本国外文献における曲名

Komachi play