Tadanori
Tadanori（1925）Explanations of Nō plays: a vade mecum for spectators of Nō plays, Nōgakukai, Tokyo [EN]
- 24Iwafune, Hagoromo, Tomoe, Chōryō, Nue, Orochi, Kamo, Kaki-tsubata, Kashiwazaki, Kanawa, Yorimasa, Youchisoga, Tadanori, Takasago, Tamura, Sotobakomachi, Tsurukame, Raiden, Ukai, Uta-ura, Nomori, Nonomiya, Kuramatengu, Kurumazo, Kwagetsu, Yashima, Kenjō, Fujitaiko, Kosode-soga, Tenko, Aioi, Ayanotsuzumi, Aridōshi, Saigyōzakura, Sagi, Sakuragawa, Kinuta, Kiyotsune, Yuya, Miwa, Miidera, Shōjō, Jinenkoji, Shō-kun, Hyakuman, Momiji-gari, Morihisa, Zegai, Sumagenji, Eboshi-ori, Ebira, Ema—52 in all.
- 42The villager of the first scene becomes the ghost, or, as I prefer to call it, the spirit of the departed warrior, as for example, in “Sanemori,” “Ebira,” “Atsumori,” “Tadanori,” “Tsunemasa.”
- ixOne hears verbal music in even the most mundane lines of dialogue, as when in Tadanori the woodcutter describes the toil of finding wood to burn to make salt: “To feed it I must tramp to fetch the fuel.”
- xxivTadanori and Tomoe are famous episodes from the Heike tales, while Oyashiro and Kokaji are of Shinto complexion, and Tamura combines Buddhism with the history of the first authentic Shogun.
- 3[TADANORI]
- 1-31The representatives of this group are Tamura, Yasima, Tunemasa, Tadanori, Kiyotune, Mitimori, Tomoe, and Sanemori.
- 53Tadanori (Warrior-poet of the Heike)