近代能楽用語索引Index of Nō-related Terms in Modern Texts

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日本国外文献における曲名

能楽界で活動した人物のリストで、本文中で頻繁に言及されている人物に焦点を当てています。「検索用語」は本文中に見られる表記を指し、「参照用語」は現在のローマ字表記を指します。同じ名前に複数の読みがある場合、参照用語は現在の読みを表します（例：検索用語：Démé-Jioman、参照用語：Deme Takamitsu）。

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Tanikō

IkeniyeBeck, L. Adams（1933）The Ghost Plays of Japan, The Japan Society (NY), New York [EN]
  • 39A scholarly historical, descriptive and critical introduction is followed by the translation of fifteen No and one Kyogen, these being: Atsumori, Ikuta, Tsunemasa, Kumasaka, Eboshi-Ori, Hashi-Benkei, Kotgekiyo, Hachi no Ki, Sotoba Komachi, Ukai, Aya no Tsuzumi, Aoi no Uye, Kantan, Hokazo, Hagoromo, Tanikо̄, Ikeniye, Hatsuyuki, Haku Rakuten,-and the farce Esashi Jūō (The Birdcatcher in Hell.)
Nogami, Toyoichirō（1934）Japanese Noh Plays: How to See them, Board of Tourist Industry, Tokyo [EN]
  • 64(Translations of Atsumori, Ikuta, Tsunemasa, Kumasaka, Eboshi-ori, Benkei on the Bridge, Kagekiyo, Hachi no ki, Sotoba Komachi, Ukai, Aya no Tsuzumi, Aoi-no-uye, Kantan, The Hо̄ka Priests, Hagoromo, Tani-kо̄, Ikeniye, Hatsu yuki, Haku Rakuten, with Introduction and Apendices)
Tani-KoNogami, Toyoichirō（1934）Japanese Noh Plays: How to See them, Board of Tourist Industry, Tokyo [EN]
  • 64(Translations of Atsumori, Ikuta, Tsunemasa, Kumasaka, Eboshi-ori, Benkei on the Bridge, Kagekiyo, Hachi no ki, Sotoba Komachi, Ukai, Aya no Tsuzumi, Aoi-no-uye, Kantan, The Hо̄ka Priests, Hagoromo, Tani-kо̄, Ikeniye, Hatsu yuki, Haku Rakuten, with Introduction and Apendices)
  • 64(Translations of Atsumori, Ikuta, Tsunemasa, Kumasaka, Eboshi-ori, Benkei on the Bridge, Kagekiyo, Hachi no ki, Sotoba Komachi, Ukai, Aya no Tsuzumi, Aoi-no-uye, Kantan, The Hо̄ka Priests, Hagoromo, Tani-kо̄, Ikeniye, Hatsu yuki, Haku Rakuten, with Introduction and Apendices)
Tani-kōNogami, Toyoichirō（1934）Japanese Noh Plays: How to See them, Board of Tourist Industry, Tokyo [EN]
  • 37In this group are also included those in which appear gods who, although without godly virtues, have a mysterious power, as in Kuzu (The Sweet-fish of Kuzu, Yosino), Kasuga-ryūjin (The Dragon-God at Kasuga), Kensyō (The Finest Lute called Kenzyō), Ama (The Fisherwoman), Tani-kō (The Sanction of Throwing into a Valley) and Syari (The Sarira, or the Sacred Bones of Buddha).
  • 61Tani-kō (The Sanction of Throwing into a Valley)
TanikoBeck, L. Adams（1933）The Ghost Plays of Japan, The Japan Society (NY), New York [EN]
  • 39A scholarly historical, descriptive and critical introduction is followed by the translation of fifteen No and one Kyogen, these being: Atsumori, Ikuta, Tsunemasa, Kumasaka, Eboshi-Ori, Hashi-Benkei, Kotgekiyo, Hachi no Ki, Sotoba Komachi, Ukai, Aya no Tsuzumi, Aoi no Uye, Kantan, Hokazo, Hagoromo, Tanikо̄, Ikeniye, Hatsuyuki, Haku Rakuten,-and the farce Esashi Jūō (The Birdcatcher in Hell.)

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