Report
Symposium “The Passing on of Waza(Artistic Techniques and Skills) in History and in the Present ― Gesture, Notation, Community”
We held the symposium in September 13. This meeting’s organizer is Collaborative Research through Open Recruitment “A dynamic grasp of the transmission of kata in modern Noh: from the perspective of comparative theatre”. The symposium was attended by 67 people in total.
Venue: Hosei University, Sotobori building 5F room S505
Program
13:00-13:15 Keynote Speech: YOKOYAMA Tarō
13:15-15:25 Part1 Notation and Storage Medium
YUASA Nobuko, “The Beauchamp-Feuillet System”: notation and reconstruction of French court dance.
FUJITA Takanori, “A Purpose of the Means in the Practice of the Noh for the General Theory of the Accomplishments of Traditional Arts Community”
NAKAMURA Minako, “Historic Development of the Dancing Notation: Mainly Labanotation”
MASUDA Nobuhiro, “Walking with the Physical Culture Image and Techniques of the Body at the early 20th century”
OKADA Mariko, “Inoue-ryū Kyoto Dance and its Teaching Method at Gion School”
Chair: NAKATSUKA Yukiko
15:40-17:50 Part2 Communication and Community
SHIMIZU Takuya, “About History of Chinese Traditional Theater Schools with a Special Focus on Qin Opera”
NISHIO Kumiko, “An Empirical Study on Career Development in the Traditional Culture Industry – Training of Geiko and Maiko in Kyoto “hanamachi”-”
HAYASHI Yōichi, “Several Methods for Transferring Motor Skills in Areas of Sport and Physical Education ”
KODAMA Ryūichi, “The Tradition of “Kata” in Kabuki plays” YAGISHITA Emi Isadora Duncan’s Dance Schools and Transmission of Her Dance
Chair: YAMANAKA Reiko
