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Collaborative Research through Open Recruitment

2024

  • An Acoustic Analysis of Noh’s Singing and Its Aesthetics (Continued from FY 2023)
  • A Comprehensive Study of the Hōreki Namekawabon (Sagi school kyōgen scripts, collection of the Noh Theatre Research Institute) (Continued from FY 2023)
  • Compiling a New Hikiuta (literary allusion) Index and a Study of Utamakura (poetic vistas) (Continued from FY 2023)
  • Noh, Kyōgen, and Pop Culture: Staging Kimetsu no Yaiba (Demon Slayer) (Continued from FY 2023)
  • Traditional Meets Modern: a Study of Mei no kai in the 1970s
  • Reading Yami no yakaku (Nighttime Crane in Darkness): Noh Chanting Culture in the Mid-Edo Period
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation (Continued from FY 2023)
  • A Study of the Issō School Traditions: A Survey of the Former Shimada Mikuma Collection and the Issō Hachirōemon Family Archive, National Noh Theatre (Continued from FY 2023)
  • Applying Noh’s Diverse Movement Patterns to Service Robots (Continued from FY 2023)
  • An Analysis of Noh Chanting Rhythm Seen from Yōyōshū (noh chanting manual)

2023

  • Noh, Kyōgen, and Pop Culture: Staging Kimetsu no Yaiba (Demon Slayer)
  • A Study of “Noh Designs”: Examining Its Fundamentals and Transformations (continued from FY 2022)
  • An Acoustic Analysis of Noh’s Singing and Its Aesthetics
  • A Comprehensive Study of the Hōreki Namekawabon (Sagi School kyōgen scripts, collection of the Noh Theatre Research Institute)
  • Compiling a New Hikiuta (literary allusion) Index and a Study of Utamakura (poetic vistas)
  • Exploring Noh’s Bodily Movements and Their Application to Service Robots
  • A Study of Yōyōshū (a Noh-singing manual) (continued from FY 2022)
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation
  • A Study of the Issō School Traditions: A Survey of the Former Shimada Mikuma Collection and the Issō Hachirōemon Family Archive, National Noh Theatre

2022

  • Visualizing the Tacit Knowledge: Clarification of the Unwritten Components of Noh’s Musical Notations (continued from FY 2021)
  • A Study of “Noh Designs”: Examining Its Fundamentals and Transformations
  • What Ambient Factors Make Noh Unique?: An Acoustic Study of Noh Theater (continued from FY 2021)
  • Making of a Noh-specialized Buddhist Term Database and a Study of Noh’s Religious Background (continued from FY 2021)
  • A Linguistic Study of the Noh Chant Books with a Focus on Pronunciation (continued from FY 2021)
  • A Comprehensive Study of the Newly Discovered Hōreki Namekawabon (Kyōgen scripts, collection of the Noh Theatre Research Institute) (continued from FY 2021)
  • A Study of Yōyōshū (a Noh-singing manual)
  • Online Activities at Noh Theater: ICT and Its Significance (continued from FY 2021)
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation (continued from FY 2021)
  • Rhetorical Techniques Borrowed from Waka (Japanese poetry) and Renga (Japanese linked verse): Noh Lyrics of Zeami’s waki-nō (deity plays)
  • Making of a Keyword Compilation of the Muromachi Period Noh Treatises Using Information Processing Technology (continued from FY 2021)
  • A Study of the Issō School Traditions: A Survey of the Former Shimada Mikuma Collection and the Issō Hachirōemon Family Archive, National Noh Theatre (continued from FY 2021)
  • An Interdisciplinary Study of the Technique Transmission Process in Noh: from the Perspectives of Sports Science and Theater Studies (continued from FY 2021)

2021

  • Visualizing the Tacit Knowledge: Clarification of the Unwritten Components of Noh’s Musical Notations
  • What Ambient Factors Make Noh Unique?: An Acoustic Study of Noh Theater
  • Making of a Noh-specialized Buddhist Term Database and a Study of Noh’s Religious Background
  • A Linguistic Study of the Noh Chant Books with a Focus on Pronunciation
  • A Comprehensive Study of the Newly Discovered Hōreki Namekawabon (Kyōgen scripts, collection of the Noh Theatre Research Institute)
  • An Interdisciplinary Study of Noh’s Rhetoric: Comparison with Waka (Japanese poetry) and Renga (Japanese linked verse) (continued from FY 2020)
  • Online Activities at Noh Theater: ICT and Its Significance
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation
  • Making of a Keyword Compilation of the Muromachi Period Noh Treatises Using Information Processing Technology
  • Noh Lyrics in Early Modern Hōgaku (Japanese traditional music): An Analysis and Making of a Database (continued from FY 2020)
  • A Study of the Issō School Traditions: A Survey of the Former Shimada Mikuma Collection and the Issō Hachirōemon Family Archive, National Noh Theatre
  • An Interdisciplinary Study of the Technique Transmission Process in Noh: from the Perspectives of Sports Science and Theater Studies

2020

  • An Interdisciplinary Study of Noh’s Rhetoric: Comparison with Waka (Japanese poetry) and Renga (Japanese linked verse)
  • Transmitting Knowledge Across Genres and Times: An Interdisciplinary Study of Noh Treatises and Muromachi Culture (continued from FY 2019)
  • Making of a Noh-specialized Buddhist Term Database and a Study of Noh’s Religious Background (continued from FY 2019)
  • A Study of the Variant Sasano Manuscript of the Newly Discovered Hōreki Namekawabon (Kyōgen scripts) (continued from FY 2019)
  • Transcribing Musical Notations for Noh Performance Video (continued from FY 2019)
  • Communal Practice and Networking in Noh and Kyogen Theater (continued from FY 2019)
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation
  • Shedding Light on Ai (interlude) Kyōgen: Its Narrative Role in the Mugen Nō (dream plays) and Compilation of a New Resource for Further Studies (continued from FY 2019)
  • Noh Lyrics in Early Modern Hōgaku (Japanese traditional music): An Analysis and Making of a Database (continued from FY 2019)
  • Local Transmission of Techniques and Knowledge in the Edo-period: An Archival Research of Issō school (continued from FY 2019)

2019

  • Transmitting Knowledge Across Genres and Times: An Interdisciplinary Study of Noh Treatises and Muromachi Culture
  • Making of a Noh-specialized Buddhist Term Database and a Study of Noh’s Religious Background
  • A Study of the Variant Sasano Manuscript of the Newly Discovered Hōreki Namekawabon (Kyōgen scripts)
  • Transcribing Musical Notations for Noh Performance Video
  • Making of a Noh Rhetoric Database with a Focus on Waka (Japanese poetry) and Renga (Japanese linked verse)
  • Communal Practice and Networking in Noh and Kyogen Theater
  • A Linguistic Study of Noh Treatises
  • Communication via iki (breathing): How to Apply Noh Movements to a High-Tech Robot
  • Reading a Waki Score Nō no hisho (A Secret Book of Noh): Noh Performances Before Fixation
  • Shedding Light on Ai (interlude) Kyōgen: Its Narrative Role in the Mugen Nō (dream plays) and Compilation of a New Resource for Further Studies
  • Noh Lyrics in Early Modern Hōgaku (Japanese traditional music): An Analysis and Making of a Database
  • Local Transmission of Techniques and Knowledge in the Edo-period: An Archival Research of Issō school

2017

  • Interdisciplinary Research into Noh Masks of the Uesugi family

2016

  • Establishing a Research Base for Computerbased Musical Analysis of Uta
  • A Study of the Influence of Utai on Nagauta
  • Interdisciplinary Research into Noh Costumes Handed Down in the Matsudaira clan of the Echizen Domain

2015

  • Noh and the business world of the Meiji and Taishō eras as seen in the diary of Yasukawa Keiichirō
  • Noh in high school education and suggestions for innovation: as a model case for education in traditional culture
  • Basic research for computer-based musical analysis of utai

2014

  • A dynamic grasp of the transmission of kata in modern Noh: from the perspective of comparative theatre
  • Research on the image of Noh in the media
  • Research on Noh costumes in overseas collections: an interdisciplinary view

2013

  • Modern Noh as a Document of Oral Transmission
  • Reading Early-Modern Noh from the Global Documentary Record

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The Nogami Memorial
Noh Theatre Research Institute of
Hosei University


2-17-1, Fujimi, Chiyoda-ku, Tokyo JAPAN, 102-8160
TEL 03 ( 3264 ) 9815 FAX 03 ( 3264 ) 9607



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