野上記念法政大学能楽研究所　能楽の国際・学際的研究拠点 -

Nōgaku Research Series 9 　Waza wo tsutaeru わざを伝える (Transmitting the Skills)

A collection of papers that attempts to analyze the transmission of the art of nō from the perspectives of both fieldwork and historical research. Published 2024. Edited by Tarō YOKOYAMA.

Hosei University Repository

Nōgaku Research Series 8 　Kiki to nōgaku 危機と能楽 (Nōgaku and Crisis)

This volume is the revised and expanded edition of the catalogue of the special exhibition ‘Kiki to nōgaku危機と能楽,’ held at the HOSEI Museum (1 Sept 2022 – 31 Jan 2023) , commemorating the 70th anniversary of Noh Theatre Research Institute of Hosei University. Published 2022. Edited by Yukiko NAKATSUKA, Nozomi FUKAZAWA, Keizō MIYAMOTO, and Reiko YAMANAKA.

Nōgaku Research Series 7 Konparu-ke monjo no sekai  金春家文書の世界 (Exploring the World of Konparu Family Historical Documents)

Proceedings of the 2014 symposium “The World of Konparu Family Historical Documents: What Their Records Tell Us About the Konparu Family’s Development.” Edited by Keizō MIYAMOTO.

Hosei University Repository

Proceedings of the 17th Nōgaku Seminar, “Nō in Modern Japan” held in 2013. Edited by Keizō MIYAMOTO.

Proceedings of the Nōgaku Seminar, “The Present and Future of Nōgaku” held in 2014. Includes papers on English-language nō plays, newly created modern kyōgen, and activities for spreading kyōgen. Edited by Reiko YAMANAKA.

Hosei University Repository

Proceedings of the symposium “Reconsidering Nogami Toyoichirō’s Nōgaku Studies: In Commemoration of His 130th Anniversary.”  Edited by Takamitsu IKAI.

Hosei University Repository

Proceedings of the symposium and workshop held at Royal Holloway, University of London, and Oxford University. Edited by Michael WATSON and Reiko YAMANAKA.

Hosei University Repository

A Japanese translation of Dramatic Action in Greek Tragedy and Noh: Reading with and beyond Aristotle, written by Mae Smethurst.
Translated by Kōji WATANABE and Akiko KISO.

Translated by Royall TYLER.
English translations, with introductions, of rare (bangai, out of today’s commonly performed repertoire) plays by Zeami: Akoya no Matsu, Furu, Hakozaki, Matsura Sayohime, Tadatsu no Saemon, and Unoha. All the translations are based on Zeami’s original manuscripts.

Transcription of the treatises on early modern nō music, transcribed by hayashi densho kenkyūkai 囃子伝書研究会.

Collection of ai kyōgen interlude materials, mainly from the Izumi and Sagi schools. The book includes many materials transcribed for the first time. Transcribed by ai kyōgen kyōdō kenkyūkai 間狂言共同研究会.

Collection of historical records of the Edo-period nō actors who served the fifty-seven families of various domain lords throughout Japan. Edited by Keizō MIYAMOTO.

Collection of historical records of the Edo-period nō performers who served the fifty-seven families of various domain lords throughout Japan. Edited by Keizō MIYAMOTO.

Collection of historical records of the Edo-period nō performers who served the fifty-seven families of various domain lords throughout Japan. The records track the performers’ years of birth and death as well as their job history, revealing their social position within the hierarchical Edo society and the thriving of nō performance in domains. Edited by Keizō MIYAMOTO.

Transcription of nō and kyōgen performance records at the Matsue Castle, penned by a merchant in Matsue. Transcribed by Junji KOBAYASHI, Shimane University.

An annotated transcription of the notebooks by Akita Jōnosuke, who received teachings from Shimotsuma Shōshin, a semi-professional performer of the 16th-17th century. Includes the instructions of the thirty-eight plays. The original notebook is owned by the Tohoku University Library. Transcribed and edited by Akita Jōnosuke katatsuke kenkyūkai.

Transcription of the memoranda by Konparu Yasuzumi (1761-1830), an actor and head of the Konparu branch family in the late Edo period. Transcribed by Rokurokukai and edited by Kenji KOBAYASHI.

Transcription of the treatises on ai kyōgen interlude and furyū performance by Ōkura Torakiyo, a kyōgen actor in the early Edo period. Transcribed and edited by Kazuo TAGUCHI.

Summary of the research conducted in 2018 by the Nō Theatre Research Institute

Summary of the research conducted in 2017 by the Nō Theatre Research Institute

Summary of the research conducted in 2016 by the Nō Theatre Research Institute

Summary of the research conducted in the second half of 2015 by the Nō Theatre Research Institute

Summary of the research conducted in the first half of 2015 by the Nō Theatre Research Institute

Summary of the research conducted in the second half of 2014 by the Nō Theatre Research Institute

Summary of the research conducted in the first half of 2014 by the Nō Theatre Research Institute

Summary of the research conducted in 2013 by the Nō Theatre Research Institute